You didn't think I only read books about cats, did you? I have a lot of time to myself in shop at night, and sometimes, yes, I also like to read long, postmodern, stream-of-conscious literary novels.— From The Great Catsby's Story
WINNER OF THE 2019 GOLDSMITHS PRIZE - SHORTLISTED FOR THE 2019 BOOKER PRIZE - A NEW YORKER BEST BOOK OF 2019 - A NEW YORK TIMES NOTABLE BOOK OF 2019 - A TIME MUST-READ BOOK OF 2019
This book has its face pressed up against the pane of the present; its form mimics the way our minds move now toggling between tabs, between the needs of small children and aging parents, between news of ecological collapse and school shootings while somehow remembering to pay taxes and fold the laundry.--Parul Sehgal, New York Times
Baking a multitude of tartes tatins for local restaurants, an Ohio housewife contemplates her four kids, husband, cats and chickens. Also, America's ignoble past, and her own regrets. She is surrounded by dead lakes, fake facts, Open Carry maniacs, and oodles of online advice about survivalism, veil toss duties, and how to be more like Jane Fonda. But what do you do when you keep stepping on your son's toy tractors, your life depends on stolen land and broken treaties, and nobody helps you when you get a flat tire on the interstate, not even the Abominable Snowman? When are you allowed to start swearing?
With a torrent of consciousness and an intoxicating coziness, Ducks, Newburyport lays out a whole world for you to tramp around in, by turns frightening and funny. A heart-rending indictment of America's barbarity, and a lament for the way we are blundering into environmental disaster, this book is both heresy―and a revolution in the novel.
About the Author
Lucy Ellmann's first novel, Sweet Desserts, won the Guardian Fiction Prize. It was followed by Varying Degrees of Hopelessness, Man or Mango? A Lament, Dot in the Universe, Doctors & Nurses, Mimi. Her short stories have appeared in magazines, newspapers and anthologies, and she has written for the New York Times, Washington Post, Guardian, Independent, Independent on Sunday, Times Literary Supplement, Telegraph, New Statesman and Society, Spectator, Herald, Scottish Review of Books, Time Out (London), Art Monthly, Thirsty Books, Bookforum, Aeon, The Evergreen, and The Baffler. A screenplay, The Spy Who Caught a Cold, was filmed and broadcast on Channel 4 in the UK. She edits fiction for the Fiction Atelier (fictionatelier.wordpress.com), and abhors standard ways of teaching Creative Writing, which she considers mostly criminal. Though American by birth, she lives in Scotland.